"Kiwikurra Sandhills (1999)" by Walala Tjapaltjarri is a captivating painting that can be displayed vertically or horizontally, offering a versatile view of the landscape. The artwork represents a significant Dreaming event of the Tingari Cycle, specifically the site east of Kiwikurra in the Gibson Desert, Walala’s birthplace. Here, a large group of Tingari ancestors, including men and boys, gathered for Malliera (initiation) ceremonies before traveling northward to Lake Mackay.
Kiwikurra is distinguished by numerous sandhills and significant water soakages, highlighted by the rectangles in the painting. The over-dotting represents both the abundance of bush food after rain and the crushed daisies applied as body paint to young initiates.
The Tingari Cycle's events are secret and sacred, with few details revealed. Generally, the Tingari are Dreaming era men who traveled vast stretches of the country, performing rituals that shaped specific sites. Accompanied by novices and followed by Tingari women, their travels and adventures are enshrined in song cycles. These legends are integral to the teachings of post-initiatory youths and provide explanations for contemporary customs.
Walala's family made headlines in 1984 when they emerged from the desert, making contact with Europeans for the first time. Walala is the younger brother of acclaimed artist Warlimpirrnga Tjapaltjarri, and his work continues to honor and depict the rich cultural heritage of the Pintupi people. "Kiwikurra Sandhills (1999)" is a testament to Walala's ability to blend traditional stories with a unique artistic vision, capturing the essence of his ancestral land.
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