Ningura’s artistic journey began in 1996 when she, along with other elderly women from Kintore and Kiwirrkurra, started painting for Papunya Tula Artists. Her first solo exhibition took place in 2000 with William Mora Aboriginal Art, and she participated in numerous group shows thereafter. Her works are renowned for their heavy layers of acrylic paint and vibrant, dynamic designs.
"Minyma Tingari," translating to "Women's Dreaming," depicts the journeys of the Tingari Ancestors who shaped the landscape during the Creative Era. This painting exemplifies her distinctive use of grid-like patterns to represent sandhills (tali) and red ochre circles to symbolize rockholes (puli). The site is Wirrulnga, a rockhole east of Kiwikurra.
Ningura’s talent was further recognised with a site-specific commission for the ceiling of the Musée du Quai Branly in Paris and her artwork featured on Australian postage stamps in 2003. She was also honored as one of the 50 Most Collectable artists by Australian Art Collector Magazine in 2007 and 2008. The Tingari Cycle, a secret and sacred element of her art, involves ancestral travels and rituals that shaped the land, preserved in song cycles vital to Pintupi cultural teachings.
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