"Minyma Tingari 2001" features a large black oval in the centre, symbolising a dancing board. Women, represented by U-shapes, dance in a ceremony for Water Dreaming. The rockholes on her ancestral country are depicted as roundels, and the soft yellow ochre colours represent the ochre worn on the breasts and shoulders during the ceremony.
Ningura’s artistic journey began in 1996 when she, alongside other elderly women from Kintore and Kiwirrkurra, started painting for Papunya Tula Artists. Her first solo exhibition was held in 2000 with William Mora Aboriginal Art, followed by numerous group shows. Ningura's works are distinguished by their heavy layers of acrylic paint and vibrant, dynamic designs.
Her talent was further recognised with a site-specific commission for the ceiling of the Musée du Quai Branly in Paris, and her artwork featured on Australian postage stamps in 2003. She was also named one of the 50 Most Collectable artists by Australian Art Collector Magazine in 2007 and 2008. The Tingari Cycle, a secret and sacred aspect of her work, involves ancestral travels and rituals that shaped the land, preserved in song cycles essential to Pintupi cultural teachings
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