Ngalyipi, 2007, by celebrated Aboriginal artist Judy Watson Napangardi, illustrates a significant Dreaming story of the Napanangka/Napangardi kinship group. This sacred story revolves around ngalyipi (Tinospora smilacina), a vine with profound cultural and ceremonial importance for Warlpiri women in Central Australia.
Traditionally, ngalyipi was used as a strap for carrying wooden bowls ( coolamons ) filled with food or babies. Its ceremonial role was equally vital, as women spun its fibre with human hair to create hairstring belts. These belts, often prepared during mourning rituals, symbolised respect and remembrance for deceased family members, marking an important cultural practice.
Born at Yarungkanji (Mt. Doreen Station), Judy traveled across her ancestral lands, including Mina Mina and Yingipurlangu, living a nomadic life sustained by bush tucker like yakajirri (bush tomatoes), wanakiji (bush plums), and wardapi (sand goanna). Taught by her elder sister, Maggie Napangardi Watson, Judy refined her distinctive artistic style while working with Warlukurlangu Artists. Mina Mina Dreaming, a central focus of her work, reflects her deep connection to her heritage.
Judy also shared a close bond with her cousin and sister, Dorothy Napangardi, another acclaimed artist. This familial connection enriched her art and storytelling, rooted in Warlpiri traditions.
Recognised as one of Australia’s 50 most collectible artists in 2007, Judy’s works are featured in major collections worldwide. Ngalyipi, 2002, highlights her legacy, blending cultural depth with artistic brilliance in contemporary Aboriginal art.
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