Her artistic journey began in 1996 when she, alongside other elderly women from Kintore and Kiwirrkurra, started painting for Papunya Tula Artists. Her first solo exhibition was held in 2000 with William Mora Aboriginal Art, followed by numerous group shows. Ningura's works are distinguished by their heavy layers of acrylic paint and vibrant, dynamic designs.
"Rockhole Sites on Ancestral Country 2001" depicts circles symbolising rockholes, significant water Dreaming sites on her ancestral land, particularly Wirrulnga, a rockhole east of Kiwirrkurra. This painting exemplifies her distinctive style, capturing the essence of her cultural heritage.
Ningura's talent was further recognised with a site-specific commission for the ceiling of the Musée du Quai Branly in Paris and her artwork featured on Australian postage stamps in 2003. She was also named one of the 50 Most Collectable artists by Australian Art Collector Magazine in 2007 and 2008. The Tingari Cycle, a secret and sacred aspect of her work, involves ancestral travels and rituals that shaped the land, preserved in song cycles essential to Pintupi cultural teachings.
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