This magnificent work depicts a major women’s ceremonial site known as Mina Mina, the artist’s custodial country located near Lake Mackay in the Tanami Desert, north of Yuendumu in the Northern Territory. During the Jukurrpa Ancestral women of the Napangardi and Napanangka sub-section groups (aunt / niece relationship, in which knowledge is passed from one to the other) gathered to collect ceremonial digging sticks (Karlangu) that had emerged from the ground. They then proceeded east, performing rituals of song and dance, to the place known as Jankinyi. A large belt of Desert Oak trees (Allocasuarina decaisneana) now stand where these digging sticks once were.
With finesse and skill, Dorothy paints her white dots against a black background, creating a shifting sea of white that disperses across the canvas. Like the sandhills in constant flux and through the artist’s country so too does this painting move, with its rippling motion as if produced by the winds that blow across the sand.
One of the leading artists of the contemporary Aboriginal art movement, Napangardi’s work is highly sought after by both collectors and curators worldwide. Her paintings and prints have been widely exhibited and are in all national collections within Australia and in major collections worldwide including most recently the MET, New York. Napangardi had the honour of being the 2nd indigenous artist to be given a solo survey exhibition at the MCA (Museum of Contemporary Art), Sydney that traced 11 years of her painting career in 1991.