Belonging to women is the literal translation of the title Karntakurlangu (Karnta – means women kurlangu – means “belonging”).
During the Jukurrpa (Dreaming) ancestral women of the Napangardi and Napanangka sub-section groups (aunt / niece relationship, in which knowledge is passed from one to the other) gathered to collect ceremonial digging sticks that had emerged from the ground from the desert oak trees (Allocasuarina decaisneana) which continue to grow today. They then proceeded east, performing rituals of song and dance, to the place known as Jankinyi.
In this artwork the artist has created a minimalist work that depicts the ancestral women dancing across the country of Mina Mina across the terrain, around the soakages of Mina Mina and the crustations that form when rainwater recedes; through the spinifex clumps and over the sand hills.
One of the leading artists of the contemporary Aboriginal art movement, Napangardi’s work is highly sought after by both collectors and curators worldwide. Her paintings and prints have been widely exhibited and are in all national collections within Australia and in major collections worldwide including most recently the MET, New York. Napangardi had the honour of being the 2nd indigenous artist to be given a solo survey exhibition at the MCA (Museum of Contemporary Art), Sydney that traced 11 years of her painting career in 1991.