This painting depicts a major women’s ceremonial site known as Mina Mina, the artist’s custodial country, located near Lake Mackay in the Tanami Desert, north of Yuendumu in the Northern Territory of Australia. Made up of two enormous soakage areas and endless sandhills, Mina Mina is where Dorothy and her aunts (Napanangkas) perform rituals of dance and song as part of their passing on of Tjukurrpa.
During the Tjukurrpa Ancestral women of the Napangardi and Napanangka sub-section groups (aunt / niece relationship, in which knowledge is passed from one to the other) gathered to collect ceremonial digging sticks (karlangu) that had emerged from the ground. They then proceeded east, performing rituals of song and dance, to the place known as Jankinyi. A large belt of trees (Allocasuarina decaisneana) now stand where these digging sticks once were.
In this painting, the artist has captured the ripple of the winds blowing through the country of Mina Mina. Forming shapes and patterns in the sand and sandhills, and the movement of the shifting dunes, that are in constant flux through her country.
One of the leading artists of the contemporary Aboriginal art movement, Napangardi’s work is highly sought after by both collectors and curators worldwide. Her paintings and prints have been widely exhibited and are in all national collections within Australia and in major collections worldwide including most recently the MET, New York. Napangardi had the honour of being the 2nd indigenous artist to be given a solo survey exhibition at the MCA (Museum of Contemporary Art), Sydney that traced 11 years of her painting career in 1991.