Mina Mina Salt - Etching
Catalogue No: DN-26
Limited Edition: 11
Image Size: 88 cm x 44 cm
Paper size: 108 cm x 78 cm
Medium: Limited Edition Etching
Produced at: The National Art School, Paddington, Sydney, in 2006
Printer: Belinda Fox at Belinda Fox Studios, Melbourne, VIC
Retail Price: AUD $3,150 AP Edition
This beautiful limited edition etching by Dorothy Napangardi, is a fine example of the style of painting that she is internationally renowned for. Showing both a black background and white background, this two part etching is a wonderful lyrical depiction of her country, Mina Mina.
This Limited Edition Etching depicts a major women’s ceremonial site known as Mina Mina. Topographically, the sacred site of Mina Mina is made up of two enormous soakage areas that, rarely filled with water, exist as clay-pans. As water soaks into the ground small areas of earth dry out and lift at the edges, becoming delineated by salt. In this striking diptych design of white and black dotting, Dorothy depicts the crustations of salt stretching infinitely onward, etched with the tracks of the women as their paths stretch on, crossing and merging; telling their stories.
In this depiction of a major women’s ceremonial site known as Mina Mina, it is the artist’s custodial country located near Lake Mackay in the Tanami Desert, north of Yuendumu in the Northern Territory of Australia. During the Jukurrpa Ancestral women of the Napangardi and Napanangka sub-section groups (aunt / niece relationship, in which knowledge is passed from one to the other) gathered to collect ceremonial digging sticks (Karlangu) that had emerged from the ground. They then proceeded east, performing rituals of song and dance, to the place known as Jankinyi. A large belt of trees (Allocasuarina decaisneana) now stand where these digging sticks once were.
One of the leading artists of the contemporary Aboriginal art movement, Napangardi’s work is highly sought after by both collectors and curators worldwide. Her paintings and prints have been widely exhibited and are in all national collections within Australia and in major collections worldwide including most recently the MET, New York. Napangardi had the honour of being the 2nd indigenous artist to be given a solo survey exhibition at the MCA (Museum of Contemporary Art), Sydney that traced 11 years of her painting career in 1991.